Lazarevskoye READING
Conference will be held 3 and 4 February 2011 at: Moscow Lomonosov Prospekt 27, Building 4, the first educational building in the new territory of Moscow State University, First Floor, Zone "D", thread audience D-1
early morning meetings at 10 o'clock,
day - 15 hours
3 FEBRUARY
Morning
VE SUSLENKOV (Orthodox St. Tikhon University for the Humanities)
Egyptian theme and the theme of St. Of land on floor mosaics in churches and synagogues in the Middle East IV - VIII centuries.
ZA Hakobyan (Yerevan State University, Department of Theory and History of Armenian Art)
artistic and iconographic sources of miniatures of the Gospel Queen Mlke (862)
VD Sarabyanov (Interregional Scientific and restoration management; State Institute of Art)
"Transformation" as a prototype of the Passions Lord "in the art of the Byzantine world.
OS POPOVA (Lomonosov Moscow State University, History Department, State Institute of Art)
Features Byzantine art 70-80s. XI century. (The Gospel in the Athens National Library, cod.57).
SS Manukyan (Yerevan State University, Department of Theory and the history of Armenian art)
image of the temple in Jerusalem in the fields of Armenian manuscripts of the Gospels.
OV Ovcharova (Lomonosov Moscow State University, History Faculty)
Three types of image, and two individual artistic manner in the frescoes nonresonant.
AV ZAKHAROVA Lomonosov Moscow State University, History Department; State Institute of Art)
Frescoes St. Nicholas in the village of Manastir and the basic directions in painting Macedonia XIII century.
Afternoon
DA PETROV (Architectural Studios Classic »)
Pietro Antonio Solari - builder of towers of Moscow Kremlin.
AL BATALOV (Museum-preserve "Moscow The Kremlin ", Institute of Fine Arts)
again on the activities of Petroc Minor in Moscow.
LI Lifshitz (Institute of Fine Arts)
Three images of King David in the thread 1190 ies Demetrius Cathedral in Vladimir.
AM Manukyan (Lomonosov Moscow State University, Faculty of History)
Golden doors of the cathedral of Our Lady of the Nativity in Suzdal. Some issues of technology and design.
AS TRANSFIGURATION (Lomonosov Moscow State University, Faculty of History and Institute of Arts)
On the origin of and the meaning of iconographic type of St.. Nikola "Zaraisk.
4 FEBRUARY
Morning
MY SAVELYEVA (Department of Culture of Moscow)
«Choice lover the Chevalier. " Trying to interpret images of carpet with Perseus end of the XV century, the French private collection.
MG Kramarovskii (Hermitage)
«Two Tana. Polovtsians the fresco A. Lorenzetti in the church of San Francesco in Siena (20-ies. XIV century).
AN Donin (Nizhny Novgorod State Linguistic University Name NADobrolyubov)
issue of the comic in German art of the XV century.
MN FALCONS (Institute of Theory and History of Fine Art of Arts)
At the turn of the sacral and the romantic - to iconology "holy mountain" of Piedmont.
VD DAZHINA (Lomonosov Moscow State University, Faculty of History)
«Bronzino wins ...!»
EP Igoshin (LFL them. Rudomino; State Institute of Art)
«A Day in the suburban life of Venetian nobles. Frescoes by Giovanni Antonio Fazolo villa Kaldono in Kaldono.
EJ ZOLOTOVA (State Institute of Art)
Iconography "Martyrdom of the Maccabees brothers" in the German art 16 th century.
Afternoon
SV Khodnev (Publishing House "Kommersant") "Theatre of the Eucharist": the scenery for Quarantore and a Baroque church interior.
NO Vedeneeva (ГМИИ им. А.С.Пушкина)
“Мышеловка” Клода Меллана (1598-1688): прославление Земной Любви или аллегория Vanitas?
М.В. СОКОЛОВА (МГУ имени М.В.Ломоносова, Исторический факультет)
English landscape park: the image of the vision and design method.
ETC KARJAKIN (Lomonosov Moscow State University, Faculty of History)
Portrait in Western European china XVIII century.
LUCIA Tonino (University "L'Orientale", Naples, Department of Art History of Eastern Europe)
Russian collectors in Florence: the library, DP Buturlina.
LY Savinsky (Pushkin Museum. Pushkin)
Yusupov and Van Gogh. (From the history of art collection of Nikolai Borisovich Yusupov Younger (1827-1891).
S. VANEYAN (Lomonosov Moscow State University, The Faculty of History)
«Unread" Rudolf Arnheim.
Wednesday, January 26, 2011
10 Weeks Pregnant Pain
Conference for conferences
Scientific Life in Moscow is boiling and pleased with various events
27-29 January. in MSU - Research Seminar Byzantinists
Judging by the program will be very interesting to the sections related to the art of Byzantium and ancient Russia
download the program here: Program XIX session vizantinistov.doc
Scientific Life in Moscow is boiling and pleased with various events
27-29 January. in MSU - Research Seminar Byzantinists
Judging by the program will be very interesting to the sections related to the art of Byzantium and ancient Russia
download the program here: Program XIX session vizantinistov.doc
Tuesday, January 25, 2011
Super Sniper Versus 3200
Museum of Russian Icons - A new museum of icon painting in Moscow, which opened Today
Spacious, several floors, and quite a lot of icons. No shame.
most pleased with a conversation between two babisch journalists about thirty to thirty-five, who aspirated said: "Wow What a museum!" So many icons! Not that I was now in the Tretyakov Gallery in the exhibition Rublev, there is very little, and look nothing! ". specify that they said it standing here next to this lovely and charming lady, the dignity which I did not want to downplay:
Virgin Kazan. 1 st floor. 18 th century, Galich.
whole room like that, of course, far more valuable than a piece of something there Rublev.
But in general I liked it.
Very funny and curious veshchichki, mainly late. In general, a large museum, a few floors, icons, as they write, 600.
Forefather Abel. 1 st third of 18 century.
Christ Pantocrator. 1 st floor. 18 century
Descent from the Cross. Celebratory rite. Kostroma lands. End of 17 century - around 1700.
Reverend Theodosius Totma. 19 century.
That such unpretentious icons of saints and monasteries - a zalchik. The fact that the patron of a money earned in the construction business, and therefore icon of buildings and structures - this is his personal personal passion.
St. Nicholas of Myra. Around the mid-18 century. Vologda north
Beautiful and wrinkled.
Bishop Tikhon Amafunitsky, saints and Zosimus Savvaty, Martyr Paraskeva and Anastasia. Kostroma Province, 1 st floor. 18 th century.
Vernicle. The last third of 18 century. Moscow or St. Petersburg.
Many salaries
This uncle-millionaire founder of the private Museum. Very sweet and joyful.
The museum, converted from two old, behind the "Illusion"
How to recreate the studio iconographer
Greek iconostasis
Old Believers' chapel, completely transported to the museum
There's still a big hall of Ethiopian art, but it I no longer had the strength.
Entrance free until the promise.
article on the topic:
_____________________________________________
_____________________________________________
Spacious, several floors, and quite a lot of icons. No shame.
most pleased with a conversation between two
Virgin Kazan. 1 st floor. 18 th century, Galich.
whole room like that, of course, far more valuable than a piece of something there Rublev.
But in general I liked it.
Very funny and curious veshchichki, mainly late. In general, a large museum, a few floors, icons, as they write, 600.
Forefather Abel. 1 st third of 18 century.
Christ Pantocrator. 1 st floor. 18 century
Descent from the Cross. Celebratory rite. Kostroma lands. End of 17 century - around 1700.
Reverend Theodosius Totma. 19 century.
That such unpretentious icons of saints and monasteries - a zalchik. The fact that the patron of a money earned in the construction business, and therefore icon of buildings and structures - this is his personal personal passion.
St. Nicholas of Myra. Around the mid-18 century. Vologda north
Beautiful and wrinkled.
Bishop Tikhon Amafunitsky, saints and Zosimus Savvaty, Martyr Paraskeva and Anastasia. Kostroma Province, 1 st floor. 18 th century.
Vernicle. The last third of 18 century. Moscow or St. Petersburg.
Many salaries
This uncle-millionaire founder of the private Museum. Very sweet and joyful.
The museum, converted from two old, behind the "Illusion"
How to recreate the studio iconographer
Greek iconostasis
Old Believers' chapel, completely transported to the museum
There's still a big hall of Ethiopian art, but it I no longer had the strength.
Entrance free until the promise.
article on the topic:
_____________________________________________
Museum of Russian Icons: the opening of the month:
building, which is home meeting - two rebuilt old houses, the combined glass atrium, with cutting-edge elevator, which brings the audience on several floors, which is a collection. Accidentally miss some floor easily, and the loss will be visible - in every room there is something curious. The most valuable exhibits - Hodegetria brush Simon Ushakov and St. Nicholas of Myra XIV century from the Arkhangelsk region. In addition to these highly praised collection of Pskov icons XVI century Ethiopian art - the largest in Russia (2400 items).
Read the full article
_____________________________________________
Sunday, January 16, 2011
Step By Step How To Masterbate
severed icon
outer row - Orthodox holidays. Internal series - The Passion of the Christ.
In the center of the Resurrection and Descent into Hell.
Very nice icon. The style is similar to Palekh, an old work.
icon 19 or early 20 th century
outer row - Orthodox holidays. Internal series - The Passion of the Christ.
In the center of the Resurrection and Descent into Hell.
Very nice icon. The style is similar to Palekh, an old work.
icon 19 or early 20 th century
Wednesday, January 12, 2011
Milena Velba Normal Life
Crucifixion
Say Please, do not know if anyone here is in the form electronically this article:
Martin JR The dead Christ on the cross in Byzantine art / / Late classical and mediaeval studies in honor of Albert Mathias Friend, jr. / Ed. by Kurt Weitzmann - Princeton: University Press, 1955, p. 189-196
Say Please, do not know if anyone here is in the form electronically this article:
Martin JR The dead Christ on the cross in Byzantine art / / Late classical and mediaeval studies in honor of Albert Mathias Friend, jr. / Ed. by Kurt Weitzmann - Princeton: University Press, 1955, p. 189-196
Gifted And Talented Programs Advantages
saint_icons @ 2011-01-12T13: 54:00
Ibid, January 24 at 11.00, a round table discussion on "Problem of professionalism in today's churchyard monumental art. " The discussion will take part Archpriest Alexander Saltykov, Dean of the Faculty of Arts PSTGU church, Y. N. Maksimov Academy of Arts; SA Gavrilyachenko Professor MGHAI them. Surikov, AV Ryndina, member of the Russian Academy of Arts, IL Buseva-Davydov, Ph.D, Senior Research Fellow of ancient and modern religious art research institute of Arts, Doctor of Arts; A. Lidov, Corresponding Member of Russian Academy of Arts, a historian and art theorist, Byzantinologist; Luke Abbot (head), head of the iconographic School of the MDA, and other well-known experts in the field of church monumental art.
January 13 in Moscow Academic Art Lyceum of the Russian Academy of Arts opens an exhibition of faculty and graduates of the Faculty of Arts of the Church PSTGU "Pure image of thy worship, good." Ibid, January 24 at 11.00, a round table discussion on "Problem of professionalism in today's churchyard monumental art. " The discussion will take part Archpriest Alexander Saltykov, Dean of the Faculty of Arts PSTGU church, Y. N. Maksimov Academy of Arts; SA Gavrilyachenko Professor MGHAI them. Surikov, AV Ryndina, member of the Russian Academy of Arts, IL Buseva-Davydov, Ph.D, Senior Research Fellow of ancient and modern religious art research institute of Arts, Doctor of Arts; A. Lidov, Corresponding Member of Russian Academy of Arts, a historian and art theorist, Byzantinologist; Luke Abbot (head), head of the iconographic School of the MDA, and other well-known experts in the field of church monumental art.
Tuesday, January 11, 2011
How Long Does A Jd Take
start point set
In the vastness of everyday life are titles ended by monopesy - Nocturne in b-moll, op.9 Frederic Chopin. Slow piano La-pain - the seven keys days. Kazhdonochno in the early morning feeling of gaining, I contacted a torn soul memories. Hopeless, unjustly, and everywhere looking in the dark its traces, one that could make me happy, the one whose name was Madame Sagan. Equemauville ... The last day of 2010 .. The End of my many years of anticipation, my nightly torment, waiting to meet her ... in Normandy ..
In the vastness of everyday life are titles ended by monopesy - Nocturne in b-moll, op.9 Frederic Chopin. Slow piano La-pain - the seven keys days. Kazhdonochno in the early morning feeling of gaining, I contacted a torn soul memories. Hopeless, unjustly, and everywhere looking in the dark its traces, one that could make me happy, the one whose name was Madame Sagan. Equemauville ... The last day of 2010 .. The End of my many years of anticipation, my nightly torment, waiting to meet her ... in Normandy ..
Friday, January 7, 2011
Wednesday, January 5, 2011
Maxi Mounds Mini Bikini
The Road to Sagan
'I have loved to the point of madness; that which is called madness, that which to me, is the only sensible way to love' (F. Sagan)
'I have loved to the point of madness; that which is called madness, that which to me, is the only sensible way to love' (F. Sagan)
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